Addison is very close to the radiology department, and her reward of a million bucks. But can we talk for a minute about Hilary Sycamore’s amazing colors?
In my original script for Spill Zone, only the Zone was ever shown in color. The “real world” was black and white. Sort of like The Wizard of Oz or The Secret Garden (1949), but with motorcycles and Wolf-Things.
But as I discussed earlier, more of the story than expected wound up being set in the real world. And nobody on our team wanted to do a mostly black-and-white graphic novel. So to make the Zone a very different place, we decided that the colors there would be turned up to eleven.
As you can see from these pages, Hilary was the right woman for the job. She makes the Zone as fluorescent as a Peter Max poster from the 1970s, without ever becoming comical or “groovy.” The Zone’s colors always feel serious, even dangerous, despite being eye-rattlingly lurid.
We just got the finished books in, and Hilary’s work looks just as amazing on paper. When you casually flip through the pages, the Zone sections reach out and arrest your eyes.
There’s also a thing that Hilary and Alex do with the color registration, like reality is coloring outside the lines a little. Or maybe either the printing process—or your brain—is melting down. The whole thing is way better than my original idea of making the real world monochrome.
It pays to work with talent.
Okay, thanks to everyone at Emerald City Comic Con for coming out to see me last weekend! If our paths didn’t cross there, I’ll be touring in April and May, for both Spill Zone and my middle grade novel, Horizon. Watch this space or my blog for details.
See you next Wednesday!